1. Who you serve
Tattoo work comes in four kinds. Each one has different clients, a different way of booking, and a different place where people find you. Pick the one or two you want most. A shop that tries to be everything to everyone often ends up known for nothing.
| Kind of work | Clients to start with |
|---|---|
| Custom and large-scale (sleeves, back pieces, cover-ups) | Collectors who follow an artist's style on Instagram and at conventions. They book months out and come back for many sessions. |
| Walk-ins and flash | Locals, first-timers, groups (birthdays, bachelorette parties, friends getting matching pieces), adults near military bases and colleges |
| Fine-line and minimalist | Mostly younger adult clients who find artists on TikTok, Pinterest, and Instagram. Small pieces, often a first or second tattoo. |
| Piercing, touch-ups, and laser removal | Repeat local traffic: past clients, people fading an old piece before a cover-up, piercing clients who come back for jewelry |
My main kind of work: ______________________ Second kind: ______________________
Styles I am known for (or want to be): ______________________
My top three client groups: 1. ______________ 2. ______________ 3. ______________
Town and area I pull clients from: ______________________
Artists in the shop now: ______ Chairs / stations: ______ Piercer: yes / no
2. What you offer
Write a short menu. Clients book faster when they can see what you do, and you can say no to work that does not fit your style.
| Kind of work | Services to consider |
|---|---|
| Custom and large-scale | Paid design consults, custom drawings, multi-session sleeves and back pieces, cover-ups and rework, blast-overs, sleeve continuations |
| Walk-ins and flash | A flash wall with set prices, walk-in hours, flash days, group bookings, matching pieces, gift cards |
| Fine-line and minimalist | Small script, single-needle pieces, micro designs, small flash sheets drawn for this style, clear placement advice |
| Piercing, touch-ups, and laser | Piercings and jewelry upgrades, touch-ups on healed work, fading a piece before a cover-up, full removal (only where your state allows who runs the laser) |
My main services:
1. ______________________ Starting price or shop minimum: $______
2. ______________________ Starting price or shop minimum: $______
3. ______________________ Starting price or shop minimum: $______
Work I will NOT take: ______________________ (for example: copying another artist's design, hands and neck on a first tattoo, styles outside my skill)
3. How to price your work
There are four common ways shops set a price. Most shops use more than one. Decide which one fits each kind of work, and write it down so every artist quotes the same way.
| Method | How it works | Fits best |
|---|---|---|
| Hourly rate | Client pays for time in the chair, set up to wrap up | Large custom work, sleeves, back pieces, long cover-ups |
| By the piece | One set price for the whole tattoo, quoted before you start | Flash, small and medium custom work, fine-line pieces |
| Shop minimum | The lowest price for any tattoo, however small | Walk-ins, tiny pieces, touch-ups on other artists' work |
| Deposit | Money paid up front to hold the date. Usually comes off the final price. | Every booked appointment, custom drawing, and multi-session piece |
The formula
Worked example (EXAMPLE numbers only, replace with yours)
A solo artist in a small studio, tattooing about 100 hours a month.
| Line | Example math | Example amount |
|---|---|---|
| Rent and utilities | Example monthly figure | $2,000 |
| Insurance, licenses, and permits | Example monthly share | $250 |
| Supplies (needles, ink, gloves, barrier film, cleaning) | Example monthly figure | $750 |
| Booking software, website, phone | Example monthly figure | $200 |
| Monthly shop costs | $2,000 + $250 + $750 + $200 | $3,200 |
| Cost per hour | $3,200 / 100 hours | $32 |
| What you want to earn per hour | Example target | $98 |
| Hourly rate | $32 + $98 | $130 |
| Example piece: 3-hour forearm piece | 3 hours x $130 + $65 drawing time (example) | $455 |
Fill in your rates
My monthly shop costs: $______ My hours tattooed per month: ______
My cost per hour: $______ My hourly rate: $______
My shop minimum: $______ My flash price range: $______ to $______
My deposit: $______ or ______% Deposit comes off the final price: yes / no
My drawing or design fee (if any): $______
4. Deposits, cancellations, and house rules
Write your rules down. Put them on your website, your booking form, and your consent paperwork so nobody is surprised.
Deposit to book: $______ Taken through ______________ (see C4)
Reschedule notice needed to keep the deposit: ______ hours
No-show: deposit is kept / other: ______________________
Changes to the design after the drawing is done: ______________________
Free touch-up window on healed work: ______ (if aftercare was followed)
How to say it to a client
Clients must meet your state's age law. Check a government photo ID every time. Never tattoo someone who is drunk or high.
Follow your state and county health department rules for licensing, bloodborne-pathogen training, and sterilization.
Get a signed consent and release form from every client, and give written aftercare to every client.
Draw original work. Don't copy another artist's original design or a trademarked logo or character onto skin or into flash.
Laser removal: rules on who may operate a laser vary by state. Follow them.
5. Chair rent or commission
If other artists work in your shop, decide how they are paid before they start. Put it in writing. There is no single right answer. It depends on how busy the shop is and who brings in the clients.
| Setup | How it works | Good when | Watch out for |
|---|---|---|---|
| Chair rent (booth rent) | Artist pays the shop a set amount each week or month and keeps what they earn | Artists bring their own clients and want to run their own books | The shop earns the same in slow months and busy months. Check with an accountant how renters are treated for tax. |
| Commission | Shop and artist split each tattoo's price by an agreed share | The shop brings in most of the clients (walk-ins, ads, flash days) | Everyone needs to trust the numbers. Track every tattoo and every payment. |
| Mix | A lower rent plus a smaller share, or rent for booked work and commission on walk-ins | Shops with both booked artists and walk-in traffic | Keep it simple enough that everyone can explain it the same way |
How artists are paid in my shop: chair rent / commission / mix
Example only: chair rent $______ per ______, or commission ______% to the artist
Who pays for supplies: ______________ Who handles deposits: ______________
Who owns the client list and social accounts: ______________________
6. 90-day launch plan
| When | Focus | Tasks |
|---|---|---|
| Week 1–2 | Get set up | Fill in this plan. Set your hourly rate, shop minimum, and deposit. Check your shop and artist licenses, health department permits, training, and insurance. Claim your Google Business Profile (see C1). Gather photos of your best healed work, with client OK. |
| Week 3–4 | Get seen | Start posting (see T2). Post healed work every week (see C2). Draw your first flash sheet and put prices on it. |
| Week 5–6 | Make booking easy | Set up online consults and deposits (see C4) and a booking form that takes a reference photo (see C5). |
| Week 7–8 | Reviews and repeat clients | Ask every client for an honest review (see C6). Book the next session before a client leaves (see C7). Start a past-client list with consent (see C10). |
| Week 9–10 | Your first shop event | Plan one event: a flash day (see G1), a guest artist (see G3), or cover-up consults (see R3). Look ahead at the seasons (see C8). |
| Week 11–12 | Review and adjust | Look at your weekly numbers. Which kind of work paid best per hour in the chair? Where did your clients come from? If you are booked far out, it may be time to raise your rate. |
| Week 13 | Plan the next 90 days | Write down what worked and what did not. Pick the conventions you want to apply for, and decide whether you need another artist, a piercer, or new flash. |
7. Numbers to track every week
Pick one day a week, such as Sunday evening or your day off, and fill this in. It takes about ten minutes. Over a few months it shows you what is working.
| Number | Why it matters | This week |
|---|---|---|
| Consult requests | Shows how many people are asking | ______ |
| Consults done / deposits taken | Compare them to see how often people book | ______ / ______ |
| Hours tattooed | Shows how full your chair really is | ______ |
| Walk-ins | Shows if your flash and your sign are working | ______ |
| Money taken in (tattoos / piercing / other) | Shows which work pays the bills | $______ / $______ / $______ |
| No-shows and late cancels | Tells you if your deposit rules are working | ______ |
| Where each client came from | Tells you which place to spend time on | ______ |
| Next sessions booked before the client left | Repeat work keeps your chair full | ______ |
| Reviews received / posts made | Keeps you honest about staying visible | ______ / ______ |
8. One-page summary
Fill this in last. Keep it at the front desk.
Shop or artist name: ______________________ Town: ______________
Main kind of work: ______________________ Second kind: ______________
License and permit numbers: ______________ Insurance carrier: ______________
Styles I am known for: ______________________________
Hourly rate: $______ Shop minimum: $______ Deposit: $______
Artists paid by: chair rent / commission / mix
Two client groups I am going after: 1. ______________ 2. ______________
Where I post and list: ______________________________
Weekly goal (my own target): ______ hours booked, $______ taken in
Date written: ______ Date I will review this plan: ______